What we do
The SEAM Team is really diverse and we have people from multidisciplinary backgrounds including architecture, interior design, lighting design, furniture, products and graphic design. We use the tools of lighting to create atmosphere and mood in a dynamic relationship where lighting design courts the architectural experience.
Your background
SEAM was founded in New York in 2004, and launched in the UK in 2009. We are a design practice that collaborates with architects and other design consultants to help bring architectural vision to life through Lighting.
Some projects you’re most proud of
Stone Towers Development by Zaha Hadid architects was our first big project. It was introduced to us when we were barely 3 months old, which was exciting and challenging as at that time it was just me and a couple of freelancers renting some desks in another design space. We built a design team around the project and the project needs. It was a great collaborative working experience with the architects and their design consultants.
Another project is the Timber Wave installation by Amanda Levete Architects at the entrance of the V&A for the London Design Festival. We loved the brief which was to marry a very modern and geometrically complex installation, against the backdrop of this wonderful heritage building.
Why Rockwell House
The spaces in Rockwell House are amazing. The building has an energy that really sets you up for a day of creativity. Not only that, but the space is complementary to our identity as a fresh, young, dynamic and creative collaborative.
As architects and lighting designers, we work with a diverse range of clients and creative’s in the Design and Construction industry. Being in a place like Rockwell House where we are surrounded by other creative’s of other industries, the work from the studios and the conversations with these designers are quite inspirational. To be able to think about design from a different perspective challenges us in how we think about our own work and our own design process.
A good example of this was our collaboration on EndoftheLine’s TRON graffiti mural that was completed at the end of last year. Initially, we were asked to assist with the final display lighting for the four panels that were located on Great Eastern in Shoreditch. As Jim and Matilda (EndoftheLine) were describing not only the final mural, but also a filming and still photography element to it. For us, this was an opportunity to leave the realm of architectural lighting for a bit and to think about light, film and moving image. This was also an opportunity to work with some other studios in Rockwell House such as Distillery, Toby Summerskill and other collaborators in 3D animation and film. For the final display, we provided a lighting design that transformed from early evening hours to late night, where white light and darklight (or blacklight) was used to bring out two identities of the mural.